Martin Austin

Martin Austin
About Me

I'm a dance academic, writer, and critic, and my research explores the past and current state of ethics in Euro-American dance practice.

Outside of academia, I'm an active dancer and writer, as a frequent reviews and features contributor for Intermission Magazine, with additional publications in The Dance Current and smART Magazine. My contacts are below if any of this is of interest!
Print Pieces
Miigis: Underwater Panther at Canadian Stage
Review for Intermission Magazine
Read More
Toronto Dance Theatre centres communitry and new voices
Feature for Intermission Magazine
Read More
Richard II at the Stratford Festival
Review for Intermission Magazine
Read More
Akram Khan's jungle book...reimagined at Canadian Stage
Review for Intermission Magazine
Read More
RUTAS Festival for Aluna Theatre
Feature for Intermission Magazine
Read More
Convergent Divergency at Toronto Dance Theatre
Review for Intermission Magazine
Read More
Reflections, Reviews, and Revelations on Alvin Ailey
Artist Perspective for Intermission Magazine
Read More
X and da Spirit at Theatre Passe Muraille
Review for Intermission Magazine
Read More
Singin' in the Rain at Mirvish
Review for Intermission Magazine
Read More
X (DIX) at Crow's Theatre
Review for Intermission Magazine
Read More
welcome, we've been waiting at Toronto Dance Theatre
Review for Intermission Magazine
Read More
At the Confluence of Many Worlds: In Conversation with Crypto's Guillaume Côté
Feature for Intermission Magazine
Read More
The Choreography Within
Arts and Letters for smART Magazine
Read More
Kamuyot at Fall for Dance North
Review for The Dance Current
Read More
The Magic of Assembly at Toronto Dance Theatre
Review for Intermission Magazine
Read More
What Dance Can Learn From Theatre
Artist Perspective for Intermission Magazine
Read More
L-E-A-K at The Theatre Centre
Review for Intermission Magazine
Read More
dance: made in canada / fait au canada Festival
Review for Intermission Magazine
Read More
Winter Double Bill at Toronto Dance Theatre
Review for Intermission Magazine
Read More
Academic Work

The Sad Choreography of Systemic Misconduct, From Cause to Affect

Performance Research, vol. 28, no. 5, 20 Apr. 2024, pp. 81–87. On Sadness (institutional access required)
Education

University of Toronto
Masters of Arts (MA) 2021-2022
Doctor of Philosophy (PhD) 2022-
Drama, Theatre, and Performance Studies
University of Toronto Fellowship Recipient
CDTPS Grad Award Recipient
Fordham University
Bachelor of Fine Arts (BFA) 2016-2020
Dance and English
cum laude Academic Honors
Departmental Honorable Mention in Dance
Fordham Jogues Scholarship Recipient
Reach Out
Name

Email

Message

Comment